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Sam Gossner @samulis

Age 29, Male

Sample Library Dev

Berklee College of Music

New England

Joined on 1/3/10

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LazyBucks 2013-09-06 06:38:07

Pitches be crazy

samulis 2013-09-06 06:38:07

yo dude totes

Carefoot 2013-09-06 07:24:22

http://tidyeye.wordpress.com/tag/the-rockefeller-institute/

I actually do believe the 'brainwashing' if you call it that. My experience from recording in 432 is that I get a better product in lossless and a problem I experience with MP3 is that its 1/5th the quality of lossless anyway (320KPBPS joint stereo max on mp3 LAME vs 1500KBPS 7.1 surround with no max on the highs or lows).

Actually the Nazi's were a creation of the prussian training programme, and instate Nazis were made by the banking institutions as a money making Raquet. The proof of this is that Hitler uses the same Malthusian eugenicism that the banksters have been using since the 1800s.

Now I really like reading your statement its very interesting and it made me listen to Palestrina which is some god damn beautiful music.

http://www.youtube.com/watch?v=D1QjkhENZg8

I would love to use these types of harmones in hiphop, and in the production. Really adds a wonder, majestic and beauty to the sound.

Primarily the science is that 432 vs 440 we have about an 80khz difference in intensity which scientifically we know does increase aggression and such in subjects. Problem is that google (aka skynet) has a lot of fraudulent information on the subject in google so I can see how you came to your conclusion.

Start over on http://www.startpage.com

I'm not saying I'm right or wrong. Infact I don't think you need to do everything in 432 for it to be 'right' but it will be far less intense on your nervous system.

Honestly I have no education in music but one of the most famous 432 pieces John Lennons (imagine) is one of the first compositions as a kid I became familiar with. I can guarantee you from the music I have converted the transformation can be noticed I will show you in hiphop and electronica so you can feel the diffrence.

Here is 1-800 suicide as produced by RZA from Wu-Tang in the 90s
http://www.youtube.com/watch?v=cTXeg-Swq9w

Here is 1-800 suicide converted to 432kHz
http://www.youtube.com/watch?v=KhNT4LXSnVc

(Hardstyle) COTD by Dozer
http://www.youtube.com/watch?v=PdnTMdydS-o

Dozer COTD in 432
http://www.youtube.com/watch?v=Pdbmzc9W4_w

Much love
yours in love
Nick Carefoot

samulis 2013-09-06 07:24:22

please stop spamming your proofless garbage on my page and read for once. You admit you have no education on the actual scientific and musical side of this, so stop pretending you know what you are talking about, because it's really painful for the rest of us, honestly dude. I'm just trying to help you but you seem to want to drag everyone else into this. XD

BTW the reason Palestrina sounds the way he does is not at all the key or any of that, but because he uses a more natural temperament and uses something called Counterpoint. I will bet most of his music is not A432 if you actually took a tuner to it.

As for your "examples" at the end, you might as well put them in the key one semitone below the current key they are each in and realize how much of a transformation that does too. As Breed said, there's nothing special about it.

Krichotomy 2013-10-05 11:27:57

I remember the first time I calculated perfect harmonic frequency offsets. "Wait, if I make this harmonic interval perfect, then that harmonic interval is dissonant, and vice versa. What am I doing wrong?" And then I thought... what if I just equally space all notes to compromise? And thus was born equal temperament. :P

samulis 2013-10-05 11:27:57

Heh exactly. I was reading up on just intonation on wikipedia earlier. I wish there were some TED talks on temperaments, they're just so fascinating! There's this one Indian 22-step scale that includes all the different intervals you might need; I wonder why we have relegated ourselves to a 12-step scale when you could simply use that one and always be more harmonically accurate. Of course, you'd have to overturn 1,500+ years of development.

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