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samulis
Orchestral music, weird instruments, and sample libraries just about sums it up.

Sam Gossner @samulis

Age 29, Male

Sample Library Dev

Berklee College of Music

New England

Joined on 1/3/10

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samulis's News

Posted by samulis - December 31st, 2019


iu_82072_3153983.jpg

I've been working on scoring a Voxel RPG game called Lost Existence since about 2013 as the solo developer has slowly built and grown the game- it's been a wild ride! Now it's gone public on Steam as an early access title, along with over 30 minutes of original music so far and more to come soon! The score is a mix of classical, world, and minimalist music in contrast to previous projects like Airscape and Primal Champions which mostly had 'epic' cinematic fare, which has been a pleasing departure for me.


As a teaser, I've put up a few tracks here on Newgrounds. Also check out the amazing art by @scottr5680 , who has created all of the amazing in-game assets and the epic logo above! If you're interested in hearing more of the score, consider buying the game or keeping your eye out for the album in a year or so!


More Info on LE:

https://store.steampowered.com/app/1129730/Lost_Existence/

https://www.lostexistence.com/index.html


Tags:

1

Posted by samulis - August 12th, 2015


Hey guys!

Over the past two years, you might have noticed I haven't been posting much music to Newgrounds. That's because I was busy working on a game called Airscape: The Fall of Gravity (I also made the website), which is now out on Steam/Humble Store! If you like my music, I definitely suggest checking it out, as it really is some of my best work ever. I hope to put out an album version of the game's score within the week.

Enjoy!


1

Posted by samulis - June 11th, 2015


Hey cool!

I logged in today and now I feel loved. You guys rock! I'm now a quarter the way to enlightenment a.k.a. 1000 likes. ;D

kidding aside, thank you all for your continued support, encouragement, and most importantly, painfully brutal criticism. All three of these things weigh heavily on my development of my style and ability as a composer.

Have a great day!

-Sam/Samulis


Posted by samulis - April 21st, 2015


Hey guys, just put out a sampled harpsichord! Lots of detail, plus sampled releases. It's now available for $15. Includes a really sweet Kontakt version too!

http://vis.versilstudios.net/harpsichord.html


Posted by samulis - March 18th, 2015


Yep, it's that time again, time to vote on the NGWS contest!

http://ngws2.versilstudios.net

The theme this year was "body noises". Contestants had to make a song using only body noises. Categories are creativity, disgustingness, and humor. Take a gander, leave a vote!


Posted by samulis - March 6th, 2015


So a big elephant in the room this year at GDC is the subject of women in the games industry. As we all know, there has been a decently steady amount of progress towards equality in education and some areas, but some industries are seemingly void of women or still have some antiquated attitudes towards their roles.

I think the core thing to understand about this subject is that for any group seeking social intergration, any group that raises a "question" ("the female question", "the gay question", "the ____ question"), the actual end goal is for there to not have to be any dialogue. The Germans, Irish, and Italians who immigrated to the US in the late 19th and early 20th century faced persecution and extreme prejudice both at home and in the workplace with regard to what they could and couldn't do (there are even remnants of this around, if you've ever passingly made a "ginger" joke).

However, these groups each led a two-pronged approach towards gaining job and income equality with other nationalities (primarily the Anglo-Saxon settlers who had been there since the revolution and controlled the country). The first prong was organization: they organized clubs in which their fellow Germans or fellow Irishmen or fellow Italians or fellow _____ could get together, discus problems, help each other along, and share ideas on how to improve their conditions. These social clubs were widely successful in cities, where most of the immigrants were trying to find work.

The second prong was having extreme "get shit doneitude". These people as a whole were incredibly driven. Look at any invention made between 1860 and 1930, and there's a good chance it was done by some European immigrant. Look at who worked the hardest, most challenging jobs almost consistently through the 1950's and beyond. It was those immigrants. Thousands of first and second generation immigrants, through help from their clubs and fellow nationals, built sprawling corporate empires from what was nothing. Thousands entered into politics with a devotion and zeal hardly seen before since the Civil War or the Revolution. The Irish in Boston were famed for their role in filling the ranks of the police and fire departments. Greek and Italian immigrants launched diners and restraunts of all kinds imaginable across the country. Many Germans turned to commerce, shipping, and technology, creating vast fortunes on inventions and trade with other nations.

Now when you read the newspaper, you don't read how Italians are feeling discriminated against. That is because ethnic boundaries and the related difficulties were transcended between the dual-prong approach and the assimiliative attitude of the American culture. In addition, they were aided by two facts- that second and third generations would have more "american" ways of speaking and behaving, and that in truth, they weren't really much different from the Anglo-Saxon elite anyway, in culture, tradition, or looks.

Unfortunately for a number of causes today, the American assimilative attitude is not as potent as it once was with the decline of nationalism. Immigrants were practically brainwashed to give up their national identity and become an "American". In addition, the rather close cosmetic appearance between the immigrants and the cultural elite at the time was a large bonus factor that does not apply to all "questions".

I think the lesson to take from this historical comparison is not that "social integration is easy and should happen automatically", but rather that "social integration happens. It can be slow, and the more diversity between the politically and culturally dominant group and the integratee, the more work that it requires." I think it is also fair to say, complaining, pointing fingers, etc. etc. is a relatively poor way of doing things. There is certainly a need for active vocal dissent, under clear and courteous terms, such as in the attitude of MLK or Ghandi. On the other hand, what will truly make a difference is the mobilization and creation of a group-wide identity, and the utilization of that identity in groups to help others of the similiar alignment to not just protest the issue, but to just live a happier, more productive, and better life.

The biggest and most common mistake with social integration is that the problem is the fact that a group is not socially integrated. The gap between what men and women are paid is NOT the problem, it is the symptom. The true problem behind that particular issue is that there are industries where the dominant leadership genuinely feels that women are not as qualified to complete the tasks as men. In some very very rare cases, there are a handful of industries in which this, as a generalization, is actually more true than others on a scientific, typically neurological basis (however, that should, of course, not exclude outliers who are qualified more than most women to do those tasks, but it should be noted that they are in fact outliers in those cases). However, in most industries, due to the rising equality in education, it can be said fairly and with a great deal of certainty that men are no better than women at the tasks involved.

At this point, I would like to point to some videos done by LindyBeige, a somewhat controversial but nonetheless always interesting and broad-minded figure, in which he describes how the prehistorical contexts of gender roles still applies today. His view is NOT to say that men and women should only follow preconceived gender roles, but rather, that preconceived gender roles are the way they are because of biological and neurological evolutionary changes that made our race not die out like so many millions of others. The degree to which men and women follow these roles is irrelevant, but a valid point can be made in some cases that, on "average", certain roles can be better performed by one gender than another, although aquired knowledge can overcome most natural advantages held by the other sex at nearly anything (e.g. a man can learn how to read the behaviors of a baby to know what it needs as well as any woman).

https://www.youtube.com/watch?v=wSX7iT0n65Q
https://www.youtube.com/watch?v=xrgovSZ32Yg
https://www.youtube.com/watch?v=mPmbDPsyt6I

Trying to treat the symtoms of the poorly described and shadowy foe of the feminist movement (what even is it? All men on earth? Just the ones who are bigots or have uncontrollable sexual tendencies? The ones who uphold inequality as an excuse?) is no different from taking some cold medicine- it may help you sleep, but it's not doing fuckall to deal with the actual affliction, just the symtoms. There is too much confusion, too much self-diagnosis among all the members of the movement, and, as a whole, too many disparate opinions. What needs to happen next is not radicalism, but a united front, a network, if you will, where women can come together and dialogue to help improve their condition. This is the same with any other "questions". This has been very effective so far with the campaigns of LGBT (or, no offense, whatever the latest incarnation of that abbreviation is) and other similar groups and I feel that sort of unity needs to move into the areas of race and gender prejudice.

I would now like to ask anyone who has any other observations, feelings, or opinions in general on this subject to please share them, either in a comment or, if not enough room exists, a tagged newspost. As I said before, the only way to deal with these issues is to identify and move on the source, and also to unify and aid the members of the affected to take the wheel and work hard to prove that what they say is true. The world revolves around evidence, and feminism is a field where that is more twisted and bent than anywhere else. It strongly needs honest stories of successful people doing successful things, not because they are women, but because they are no different from anyone else and can. As I started, the end goal is for there to be no question and no argument, just unified existence. To try to prove superiority, to show dislike or hatred towards other groups in order to advance your agenda, is only going to set back the true causes of our time.

Thoughts?


Posted by samulis - February 23rd, 2015


Hey guys, I'm back, and I'll be honest, I missed NG and being around y'all. Unfortunately, I'm also simultaneously super tied-down between virtual instruments, school, and projects... I do hope to put up a few "for fun" songs eventually though.

Keep compos(ed/ing)!

-Sam


Posted by samulis - January 19th, 2015


Friends and followers, fellow composers and producers.

Although this is my fifth anniversary as a composer, I deeply regret to tell you all that I will, as of now, be leaving Newgrounds, and most public places, for a few months. I am simply too flustered, insulted, and ill-tempered to be a constructive element of this community until I manage to get rid of these emotions.

Certain individuals seem to hold grudges at me for a number of my actions over the past few months. As I noted in my first correspondence to one of them, "the only thing I dislike more than enemies is having enemies." I wish only that they will get over this soon and find a constructive path to follow.

Aside from that, my decision to judge the NGADM made me far more enemies than friends it seems. It was my task to judge, and I damn well made sure I did that. I didn't give out a single rating or critique I haven't received considerably harsher of on my own work and learned greatly from, but I digress: it is done, and long gone, but I am still dealing with the emotional fallout from it and the last rumbles.

I will be taking this time to continue and speed up my ongoing exploration of the reaches of music- free improvization, early music, and now the exciting world of 19th century brass instruments and their applications in modern settings. I will also continue working on the creation and publication of virtual instruments, especially free ones, however, I will likely ask @Camoshark to make postings of them.

For those who have a nit to pick with me, or anyone over anything, I want you to open up text pad, write it out until you grow tired, then save and close it. Tomorrow, open it up, and slowly, deliberately drag it to the trash can. Rinse and repeat until you're done. That's what I'm going to be doing until then; letting time and logic overcome the heat. No one should have to fight tooth-and-claw to defend themselves, likely only inciting more insult in response.

For those who have concern for me, I will still have my e-mail and skype open at times.

I would like to thank @Step, @Camoshark, @Etherealwinds, @Troisnyx, @Skyewint, @Bosa, @nimble, @soundchris, and many others for their help, encouragement, dedication, and feedback over the years.

Keep compos(ed/ing)!

-Sam Gossner


Posted by samulis - November 5th, 2014


The NGADM has concluded, and it's been a great deal of fun. There were TONS of AMMAZZING entires and I am honored to have gotten to judge this year. I'd just like to address a few points quickly about the aftermath:

  1. My scores and reviews are picky. They follow specific criteria and a formulaic approach to rating pieces and are not purely a matter of personal reckoning; they are numerical analogies of how well your piece used the aspects that form all music. No hard feelings, no personal vendetta, just "here's your piece" and "here's where it could be and how". No, I don't judge this hard when I'm just writing reviews for funzies.
  2. Reviews are coming soon. If you are missing a review for a round or a song from me, don't fret, I will be working on them this week as I can.
  3. No, I will likely not be judging next year. Aside from me having horrible work ethics, the activity of having to nitpick other people's work when I know how hard even polite critique can be to swallow. Plus, I wanna compete next time. ;)
  4. Tongs are good.

Bai.

P.S. For anyone interested, here's an example of my rubric I used for judging:

Rubric Example


Posted by samulis - October 10th, 2014


Dear Artist/Developer/Person seeking composer,

Hey. Hi. Hello. Thank you for letting the world know you are looking for one of us. Now uh, there's one small problem and all with everything you have to say, and it's not the fact that you want to make a GTA clone, or the fact that the main character is named Bob instead of Steve. It's that you want us to work for free.

Now, you're probably expecting me to go into some big rant about how composers need to earn a living too and yada yada yawn... but I'm not. Let's face it, no composer could earn a living from doing music for people who would otherwise pay them nothing (that's like delivering newspapers to pay off a massive amount of college debt).

What I am going to say instead is this... working for free is a privilage and a honor that the musician bestows upon the individual they are doing that work for. It is an act showing great respect towards a creative or intellectual individual who has such an influence, cause, or show of talent that they deserve that honor. Your financial status is irrelevant.

Here's the proof. Let's say you want to go buy some clothes. A custom designer suit is the clothing equivalent value of a custom piece of music. Digging through the bargain bin at Goodwill is the clothing equivalent value of "free" music. If you had to get some clothing and all you could afford was "free", would you try to go buy a designer suit? How many people would simply laugh you out of their shop?

However, if a charity organizer who ran a charity that gave clothing to children living in complete poverty walked into the shop, the shop owner might consider donating some items to help the charity because the charity is considered a just cause.

Now, there are some people who might do music for a commercial project for free. Most of them are novices who will not make much of quality. The rest are in a position where they can work for free and not worry (living at home, in teens, etc.) or have major trouble understanding how money works.

People charge money either because:

  1. Paying them is recognization that there will be profits from the project and that their element was a contribution to those profits.
  2. They need to live.

Here are the cases in which a composer MIGHT make music for free:

  • A charity cause they feel very strongly about.
  • An incredibly (and I mean INCREDIBLY) gifted or dedicated artist who is not making a cent from the project and really does art for art's sake.
  • A project that is completely non-commercial (often times legally bound to be such, like in the case of a mod or fan project) that the composer feels very strongly about.
  • A collaboration or competition of only composers for fun.
  • An equal exchange of services with a frequent collaborator who they are certain will "pay it back", or creating music in return for the provision of a different service (art, web design, samples, etc.).

The operative on all of the above is that they do not require much music (perhaps no more than ten minutes at most!)

However, you have a lot of options for finding free music you can use:

  • The ENTIRE AUDIO PORTAL is fair game for use in non-commercial projects (you'll need to clear commerical projects with the creators). That's over half a MILLION tracks in every sort of genre and style imaginable.
  • Music that is in the Public Domain can be used in any project. Just be careful- recordings of music are only in the public domain if they are A. put there or B. from before 1930ish.
  • Kevin MacLeod has a giant pile of music that's in the public domain and under other similar licences. There are also a number of other composers who follow this trend. And FYI, he charges more than most Newgrounds composers per minute for original music so don't even think about it.

So there you have it. Now stop pesting us on the forum asking for scores for your youtube animations for free!!!